‘Rose, iris and orange blossom.’

Photographs by Juergen Teller
Fragrance blended by Daniela Andrier

Smells like Liya. - © System Magazine

‘You look at the image and reflect on whether you’ve achieved what you wanted or given enough of yourself. I’m usually always so critical of my own work.’

Liya Kebede
Smells like Liya. - © System Magazine
Smells like Liya. - © System Magazine
Smells like Liya. - © System Magazine
Smells like Liya. - © System Magazine
Smells like Liya. - © System Magazine
Smells like Liya. - © System Magazine
Smells like Liya. - © System Magazine

‘I’m not really sure I pay attention to what people say about me. When I look in the mirror, I just see myself.’ 

Liya Kebede

I’m often asked the question: ‘What is beauty for you?’

But I don’t really think in those terms. I just find a lot of things are beautiful when you open your mind. Making these pictures really made me think – not so much about beauty or models, but how was I going to shoot them, and where, and how will they come out. Stuff like that. It’s why I’m often quite nervous before a shoot.

The night before I was shooting Liya in Paris, I found myself having a really odd dream. And I’m not sure where this came from. It clearly had something to do with the fact that I’d photographed a plastic surgeon in June. I was very dubious about that whole scene, and I certainly feel it is completely unnecessary for me to even consider anything like that. But this plastic surgeon really intrigued me – a lot of what he was saying made sense, he seemed very proficient – and I liked him.

He also said he knows my work well. Since most fashion photographers’ pictures are so heavily airbrushed, he uses mine as a reference for his own work. That certainly perplexed me.

Anyway, that night, I had this dream in which I had to photograph an older lady instead of Liya. ‘You can’t photograph me yet, though,’ said the lady, ‘We have to go to my plastic surgeon first.’

All of sudden, I found myself at the plastic surgery with these two muscular guys in all white, violently taking me, instead of the lady, down to the chair. I was shouting, ‘No, you’ve got the wrong person, I totally don’t want any of that. I’m fine, I’m happy with myself.’

Then they gave me something and I was out cold.

When I woke up and looked in the mirror, it was the worst sight you could possibly imagine; it didn’t look like me anymore. My face was all stretched and one of my ears was hanging right down. ‘Guys!’ I started shouting, ‘What the hell has happened here?’

‘Oh, I’m really sorry,’ replied one of them. ‘That was a bit of a mistake…’

I suddenly woke up and found myself sweating in bed. Then I had to take the photographs of Liya.

Juergen Teller, September 2014

Taken from System No. 4.